Matt's Gearspace

Synth Only

Rhodes ChromavsRhodes Chroma Polaris

Summary

Rhodes Chroma and Rhodes Chroma Polaris: 2 Rhodes synth onlys compared side by side. They differ on 9 of 12 compared specifications.

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2 items

Rhodes

Chroma
Legacy since 1984View details →

Rhodes

Chroma Polaris
LegacyView details →
General
ManufacturerRhodesRhodes
StatusLegacyLegacy
Released19821984
Sound engine
EngineAnalogueAnalogue
Voices166
Polyphony16 voices, or 8 with channels paired6 voices
Oscillators16 VCOs (one per channel), variable sawtooth/pulse2 VCOs per voice, sawtooth and pulse with PWM
FilterCEM3350 VCF per channel, low- or high-pass; paired channels give 24dB, band-pass and notch modes4-pole resonant low-pass (CEM3372)
Multi-timbral parts2—
SequencerNone (Apple II interface and software available)Simple real-time/step sequencer
Keyboard
Keys6461
AftertouchNone—
Keybed64 weighted, levered wooden keys with velocity; optional polyphonic pressure sensor (rarely fitted)61 keys with velocity
Format
FormatKeyboardKeyboard
FeaturesSplit and layer, 50 program memories, Cassette interface, 25-pin computer/Expander port, Membrane panel with tactile feedback, MIDI by third-party retrofit only132 patch memories, MIDI, Sequencer sync in/out, Cassette interface, Chroma interface connector
Connections
CV / GateNoNo
Size & weight
Weight—19 kg

Key differences

  • Keys: Chroma – 64 Chroma Polaris – 61
  • Voices: Chroma – 16 Chroma Polaris – 6
  • Released: Chroma – 1982 Chroma Polaris – 1984
  • Polyphony: Chroma – 16 voices, or 8 with channels paired Chroma Polaris – 6 voices
  • Oscillators: Chroma – 16 VCOs (one per channel), variable sawtooth/pulse Chroma Polaris – 2 VCOs per voice, sawtooth and pulse with PWM
  • Filter: Chroma – CEM3350 VCF per channel, low- or high-pass; paired channels give 24dB, band-pass and notch modes Chroma Polaris – 4-pole resonant low-pass (CEM3372)

Both are the same on engine (Analogue).