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Software Synths

Arturia ARP 2600 V3vsArturia CMI V

Summary

Arturia ARP 2600 V3 and Arturia CMI V: 2 Arturia software synths compared side by side. They differ on 9 of 10 compared specifications.

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2 items

Arturia

ARP 2600 V3
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Arturia

CMI V
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General
ManufacturerArturiaArturia
StatusCurrentCurrent
Released20162017
Engine
Synth typeAnalogue modellingDigital (sampling, additive)
EmulatesARP 2600 (1971)Fairlight CMI (1979)
Voices32—
Polyphony2 to 32 voices, with unisonUp to 32 voices per track
Oscillators3 VCOs, noise, ring modulator, sample and holdSampling, additive and spectral synthesis; 600 original CMI samples
Filter24 dB resonant low-pass plus ARP 2500 12 dB multimodeModelled analogue filter
Multitimbral parts—10
SequencerModelled ARP 1601 step sequencer32-step 'Page R' sequencer
EffectsChorus, Delay, ReverbInsert effects
Software
Plugin formatsVST2, VST3, AU, AAXVST2, VST3, AU, AAX
Features
FeaturesSemi-modular patching, Standalone app, NKSVariable bit depth, Standalone app, NKS

Key differences

  • Synth type: ARP 2600 V3 – Analogue modelling CMI V – Digital (sampling, additive)
  • Released: ARP 2600 V3 – 2016 CMI V – 2017
  • Emulates: ARP 2600 V3 – ARP 2600 (1971) CMI V – Fairlight CMI (1979)
  • Polyphony: ARP 2600 V3 – 2 to 32 voices, with unison CMI V – Up to 32 voices per track
  • Oscillators: ARP 2600 V3 – 3 VCOs, noise, ring modulator, sample and hold CMI V – Sampling, additive and spectral synthesis; 600 original CMI samples
  • Filter: ARP 2600 V3 – 24 dB resonant low-pass plus ARP 2500 12 dB multimode CMI V – Modelled analogue filter

Both are the same on plugin formats (VST2, VST3, AU, AAX).