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Software Synths

Arturia ARP 2600 V3vsArturia OP-Xa V

Summary

Arturia ARP 2600 V3 and Arturia OP-Xa V: 2 Arturia software synths compared side by side. They differ on 7 of 9 compared specifications.

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2 items

Arturia

ARP 2600 V3
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Arturia

OP-Xa V
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General
ManufacturerArturiaArturia
StatusCurrentCurrent
Released2016—
Engine
Synth typeAnalogue modellingAnalogue modelling
EmulatesARP 2600 (1971)Oberheim OB-Xa (1980)
Voices3216
Polyphony2 to 32 voices, with unisonUp to 16 voices
Oscillators3 VCOs, noise, ring modulator, sample and hold2 VCOs per voice plus noise, cross-modulation
Filter24 dB resonant low-pass plus ARP 2500 12 dB multimodeModelled Oberheim 2- and 4-pole low-pass
SequencerModelled ARP 1601 step sequencer—
EffectsChorus, Delay, ReverbChorus, Delay, Reverb, Phaser, Flanger, Compressor, Drive, Bit crusher
Software
Plugin formatsVST2, VST3, AU, AAXVST2, VST3, AU, AAX
Features
FeaturesSemi-modular patching, Standalone app, NKSArpeggiator, MPE, MTS-ESP microtuning, Standalone app, NKS

Key differences

  • Voices: ARP 2600 V3 – 32 OP-Xa V – 16
  • Emulates: ARP 2600 V3 – ARP 2600 (1971) OP-Xa V – Oberheim OB-Xa (1980)
  • Polyphony: ARP 2600 V3 – 2 to 32 voices, with unison OP-Xa V – Up to 16 voices
  • Oscillators: ARP 2600 V3 – 3 VCOs, noise, ring modulator, sample and hold OP-Xa V – 2 VCOs per voice plus noise, cross-modulation
  • Filter: ARP 2600 V3 – 24 dB resonant low-pass plus ARP 2500 12 dB multimode OP-Xa V – Modelled Oberheim 2- and 4-pole low-pass

Both are the same on synth type (Analogue modelling) and plugin formats (VST2, VST3, AU, AAX).