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Software Synths

Arturia ARP 2600 V3vsArturia SEM V3

Summary

Arturia ARP 2600 V3 and Arturia SEM V3: 2 Arturia software synths compared side by side. They differ on 8 of 10 compared specifications.

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2 items

Arturia

ARP 2600 V3
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Arturia

SEM V3
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General
ManufacturerArturiaArturia
StatusCurrentCurrent
Released20162025
Engine
Synth typeAnalogue modellingAnalogue modelling
EmulatesARP 2600 (1971)Oberheim SEM (1974)
Voices328
Polyphony2 to 32 voices, with unisonUp to 8 voices
Oscillators3 VCOs, noise, ring modulator, sample and hold2 VCOs (saw, variable pulse) with hard sync, plus sub-oscillator
Filter24 dB resonant low-pass plus ARP 2500 12 dB multimode12 dB state-variable: low-pass, notch, high-pass, band-pass
SequencerModelled ARP 1601 step sequencer—
EffectsChorus, Delay, ReverbInsert effects
Software
Plugin formatsVST2, VST3, AU, AAXVST2, VST3, AU, AAX
Features
FeaturesSemi-modular patching, Standalone app, NKSMulti-arpeggiator, Unison, Macro controls, Standalone app, NKS

Key differences

  • Voices: ARP 2600 V3 – 32 SEM V3 – 8
  • Released: ARP 2600 V3 – 2016 SEM V3 – 2025
  • Emulates: ARP 2600 V3 – ARP 2600 (1971) SEM V3 – Oberheim SEM (1974)
  • Polyphony: ARP 2600 V3 – 2 to 32 voices, with unison SEM V3 – Up to 8 voices
  • Oscillators: ARP 2600 V3 – 3 VCOs, noise, ring modulator, sample and hold SEM V3 – 2 VCOs (saw, variable pulse) with hard sync, plus sub-oscillator
  • Filter: ARP 2600 V3 – 24 dB resonant low-pass plus ARP 2500 12 dB multimode SEM V3 – 12 dB state-variable: low-pass, notch, high-pass, band-pass

Both are the same on synth type (Analogue modelling) and plugin formats (VST2, VST3, AU, AAX).