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Software Synths

Arturia CMI VvsArturia Jun-6 V

Summary

Arturia CMI V and Arturia Jun-6 V: 2 Arturia software synths compared side by side. They differ on 7 of 8 compared specifications.

Key differences

  • Synth type: Digital (sampling, additive) on the CMI V and Analogue modelling on the Jun-6 V.
  • Emulates: Fairlight CMI (1979) on the CMI V and Roland Juno-6 (1982) on the Jun-6 V.
  • Polyphony: Up to 32 voices per track on the CMI V and Up to 36 voices on the Jun-6 V.
  • Oscillators: Sampling, additive and spectral synthesis; 600 original CMI samples on the CMI V and 1 DCO per voice with sub-oscillator and noise, free-running phase on the Jun-6 V.
  • Filter: Modelled analogue filter on the CMI V and Modelled resonant low-pass plus high-pass on the Jun-6 V.

Both are the same on plugin formats (VST2, VST3, AU, AAX).

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2 items
Arturia CMI V software synthesizer

Arturia

CMI V
Current
Arturia Jun-6 V software synthesizer

Arturia

Jun-6 V
Current
General
ManufacturerArturiaArturia
StatusCurrentCurrent
Released2017—
Engine
Synth typeDigital (sampling, additive)Analogue modelling
EmulatesFairlight CMI (1979)Roland Juno-6 (1982)
Voices—36
PolyphonyUp to 32 voices per trackUp to 36 voices
OscillatorsSampling, additive and spectral synthesis; 600 original CMI samples1 DCO per voice with sub-oscillator and noise, free-running phase
FilterModelled analogue filterModelled resonant low-pass plus high-pass
Multitimbral parts10—
Sequencer32-step 'Page R' sequencer—
EffectsInsert effectsChorus, Delay, Reverb
Software
Plugin formatsVST2, VST3, AU, AAXVST2, VST3, AU, AAX
Features
FeaturesVariable bit depth, Standalone app, NKSArpeggiator, Chord mode, Unison, Macro controls, Standalone app, NKS