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Software Synths

Arturia CMI VvsArturia Jun-6 V

Summary

Arturia CMI V and Arturia Jun-6 V: 2 Arturia software synths compared side by side. They differ on 7 of 8 compared specifications.

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2 items

Arturia

CMI V
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Arturia

Jun-6 V
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General
ManufacturerArturiaArturia
StatusCurrentCurrent
Released2017—
Engine
Synth typeDigital (sampling, additive)Analogue modelling
EmulatesFairlight CMI (1979)Roland Juno-6 (1982)
Voices—36
PolyphonyUp to 32 voices per trackUp to 36 voices
OscillatorsSampling, additive and spectral synthesis; 600 original CMI samples1 DCO per voice with sub-oscillator and noise, free-running phase
FilterModelled analogue filterModelled resonant low-pass plus high-pass
Multitimbral parts10—
Sequencer32-step 'Page R' sequencer—
EffectsInsert effectsChorus, Delay, Reverb
Software
Plugin formatsVST2, VST3, AU, AAXVST2, VST3, AU, AAX
Features
FeaturesVariable bit depth, Standalone app, NKSArpeggiator, Chord mode, Unison, Macro controls, Standalone app, NKS

Key differences

  • Synth type: CMI V – Digital (sampling, additive) Jun-6 V – Analogue modelling
  • Emulates: CMI V – Fairlight CMI (1979) Jun-6 V – Roland Juno-6 (1982)
  • Polyphony: CMI V – Up to 32 voices per track Jun-6 V – Up to 36 voices
  • Oscillators: CMI V – Sampling, additive and spectral synthesis; 600 original CMI samples Jun-6 V – 1 DCO per voice with sub-oscillator and noise, free-running phase
  • Filter: CMI V – Modelled analogue filter Jun-6 V – Modelled resonant low-pass plus high-pass

Both are the same on plugin formats (VST2, VST3, AU, AAX).