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Software Synths

Arturia CMI VvsArturia Matrix-12 V2

Summary

Arturia CMI V and Arturia Matrix-12 V2: 2 Arturia software synths compared side by side. They differ on 7 of 9 compared specifications.

Key differences

  • Synth type: Digital (sampling, additive) on the CMI V and Analogue modelling on the Matrix-12 V2.
  • Released: 2017 on the CMI V and 2016 on the Matrix-12 V2.
  • Emulates: Fairlight CMI (1979) on the CMI V and Oberheim Matrix-12 (1985) on the Matrix-12 V2.
  • Polyphony: Up to 32 voices per track on the CMI V and 12 voices on the Matrix-12 V2.
  • Oscillators: Sampling, additive and spectral synthesis; 600 original CMI samples on the CMI V and 2 VCOs (triangle, saw, variable pulse); Osc 2 doubles as noise on the Matrix-12 V2.
  • Filter: Modelled analogue filter on the CMI V and 15-mode multimode (low-pass, high-pass, band-pass, notch, phase shift, combinations) on the Matrix-12 V2.

Both are the same on plugin formats (VST2, VST3, AU, AAX).

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2 items
Arturia CMI V software synthesizer

Arturia

CMI V
Current
Arturia Matrix-12 V2 software synthesizer

Arturia

Matrix-12 V2
Current
General
ManufacturerArturiaArturia
StatusCurrentCurrent
Released20172016
Engine
Synth typeDigital (sampling, additive)Analogue modelling
EmulatesFairlight CMI (1979)Oberheim Matrix-12 (1985)
Voices—12
PolyphonyUp to 32 voices per track12 voices
OscillatorsSampling, additive and spectral synthesis; 600 original CMI samples2 VCOs (triangle, saw, variable pulse); Osc 2 doubles as noise
FilterModelled analogue filter15-mode multimode (low-pass, high-pass, band-pass, notch, phase shift, combinations)
Multitimbral parts10—
Sequencer32-step 'Page R' sequencer—
EffectsInsert effectsInsert effects
Software
Plugin formatsVST2, VST3, AU, AAXVST2, VST3, AU, AAX
Features
FeaturesVariable bit depth, Standalone app, NKSModulation matrix, Multi-timbral, Standalone app, NKS