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Software Synths

Arturia CMI VvsArturia Matrix-12 V2

Summary

Arturia CMI V and Arturia Matrix-12 V2: 2 Arturia software synths compared side by side. They differ on 7 of 9 compared specifications.

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2 items

Arturia

CMI V
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Arturia

Matrix-12 V2
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General
ManufacturerArturiaArturia
StatusCurrentCurrent
Released20172016
Engine
Synth typeDigital (sampling, additive)Analogue modelling
EmulatesFairlight CMI (1979)Oberheim Matrix-12 (1985)
Voices—12
PolyphonyUp to 32 voices per track12 voices
OscillatorsSampling, additive and spectral synthesis; 600 original CMI samples2 VCOs (triangle, saw, variable pulse); Osc 2 doubles as noise
FilterModelled analogue filter15-mode multimode (low-pass, high-pass, band-pass, notch, phase shift, combinations)
Multitimbral parts10—
Sequencer32-step 'Page R' sequencer—
EffectsInsert effectsInsert effects
Software
Plugin formatsVST2, VST3, AU, AAXVST2, VST3, AU, AAX
Features
FeaturesVariable bit depth, Standalone app, NKSModulation matrix, Multi-timbral, Standalone app, NKS

Key differences

  • Synth type: CMI V – Digital (sampling, additive) Matrix-12 V2 – Analogue modelling
  • Released: CMI V – 2017 Matrix-12 V2 – 2016
  • Emulates: CMI V – Fairlight CMI (1979) Matrix-12 V2 – Oberheim Matrix-12 (1985)
  • Polyphony: CMI V – Up to 32 voices per track Matrix-12 V2 – 12 voices
  • Oscillators: CMI V – Sampling, additive and spectral synthesis; 600 original CMI samples Matrix-12 V2 – 2 VCOs (triangle, saw, variable pulse); Osc 2 doubles as noise
  • Filter: CMI V – Modelled analogue filter Matrix-12 V2 – 15-mode multimode (low-pass, high-pass, band-pass, notch, phase shift, combinations)

Both are the same on plugin formats (VST2, VST3, AU, AAX).