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Software Synths

Arturia CMI VvsArturia OP-Xa V

Summary

Arturia CMI V and Arturia OP-Xa V: 2 Arturia software synths compared side by side. They differ on 7 of 8 compared specifications.

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2 items

Arturia

CMI V
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Arturia

OP-Xa V
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General
ManufacturerArturiaArturia
StatusCurrentCurrent
Released2017—
Engine
Synth typeDigital (sampling, additive)Analogue modelling
EmulatesFairlight CMI (1979)Oberheim OB-Xa (1980)
Voices—16
PolyphonyUp to 32 voices per trackUp to 16 voices
OscillatorsSampling, additive and spectral synthesis; 600 original CMI samples2 VCOs per voice plus noise, cross-modulation
FilterModelled analogue filterModelled Oberheim 2- and 4-pole low-pass
Multitimbral parts10—
Sequencer32-step 'Page R' sequencer—
EffectsInsert effectsChorus, Delay, Reverb, Phaser, Flanger, Compressor, Drive, Bit crusher
Software
Plugin formatsVST2, VST3, AU, AAXVST2, VST3, AU, AAX
Features
FeaturesVariable bit depth, Standalone app, NKSArpeggiator, MPE, MTS-ESP microtuning, Standalone app, NKS

Key differences

  • Synth type: CMI V – Digital (sampling, additive) OP-Xa V – Analogue modelling
  • Emulates: CMI V – Fairlight CMI (1979) OP-Xa V – Oberheim OB-Xa (1980)
  • Polyphony: CMI V – Up to 32 voices per track OP-Xa V – Up to 16 voices
  • Oscillators: CMI V – Sampling, additive and spectral synthesis; 600 original CMI samples OP-Xa V – 2 VCOs per voice plus noise, cross-modulation
  • Filter: CMI V – Modelled analogue filter OP-Xa V – Modelled Oberheim 2- and 4-pole low-pass

Both are the same on plugin formats (VST2, VST3, AU, AAX).