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Software Synths

Arturia CMI VvsArturia Synthx V

Summary

Arturia CMI V and Arturia Synthx V: 2 Arturia software synths compared side by side. They differ on 9 of 10 compared specifications.

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2 items

Arturia

CMI V
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Arturia

Synthx V
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General
ManufacturerArturiaArturia
StatusCurrentCurrent
Released20172024
Engine
Synth typeDigital (sampling, additive)Analogue modelling
EmulatesFairlight CMI (1979)Elka Synthex (1981)
Voices—16
PolyphonyUp to 32 voices per trackUp to 16 voices (8 per layer)
OscillatorsSampling, additive and spectral synthesis; 600 original CMI samples2 DCOs per voice (saw, triangle, square, pulse), ring mod, sync, noise
FilterModelled analogue filterModelled Curtis CEM3320 multimode: 24/12 dB low-pass, band-pass, high-pass
Multitimbral parts102
Sequencer32-step 'Page R' sequencer—
EffectsInsert effectsChorus, Compressor, Insert effects
Software
Plugin formatsVST2, VST3, AU, AAXVST2, VST3, AU, AAX
Features
FeaturesVariable bit depth, Standalone app, NKSMulti-arpeggiator, Bi-timbral, Standalone app, NKS

Key differences

  • Synth type: CMI V – Digital (sampling, additive) Synthx V – Analogue modelling
  • Released: CMI V – 2017 Synthx V – 2024
  • Emulates: CMI V – Fairlight CMI (1979) Synthx V – Elka Synthex (1981)
  • Polyphony: CMI V – Up to 32 voices per track Synthx V – Up to 16 voices (8 per layer)
  • Oscillators: CMI V – Sampling, additive and spectral synthesis; 600 original CMI samples Synthx V – 2 DCOs per voice (saw, triangle, square, pulse), ring mod, sync, noise
  • Filter: CMI V – Modelled analogue filter Synthx V – Modelled Curtis CEM3320 multimode: 24/12 dB low-pass, band-pass, high-pass

Both are the same on plugin formats (VST2, VST3, AU, AAX).