Matt's Gearspace

Software Synths

Arturia OP-Xa VvsArturia SEM V3

Summary

Arturia OP-Xa V and Arturia SEM V3: 2 Arturia software synths compared side by side. They differ on 7 of 9 compared specifications.

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2 items

Arturia

OP-Xa V
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Arturia

SEM V3
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General
ManufacturerArturiaArturia
StatusCurrentCurrent
Released—2025
Engine
Synth typeAnalogue modellingAnalogue modelling
EmulatesOberheim OB-Xa (1980)Oberheim SEM (1974)
Voices168
PolyphonyUp to 16 voicesUp to 8 voices
Oscillators2 VCOs per voice plus noise, cross-modulation2 VCOs (saw, variable pulse) with hard sync, plus sub-oscillator
FilterModelled Oberheim 2- and 4-pole low-pass12 dB state-variable: low-pass, notch, high-pass, band-pass
EffectsChorus, Delay, Reverb, Phaser, Flanger, Compressor, Drive, Bit crusherInsert effects
Software
Plugin formatsVST2, VST3, AU, AAXVST2, VST3, AU, AAX
Features
FeaturesArpeggiator, MPE, MTS-ESP microtuning, Standalone app, NKSMulti-arpeggiator, Unison, Macro controls, Standalone app, NKS

Key differences

  • Voices: OP-Xa V – 16 SEM V3 – 8
  • Emulates: OP-Xa V – Oberheim OB-Xa (1980) SEM V3 – Oberheim SEM (1974)
  • Polyphony: OP-Xa V – Up to 16 voices SEM V3 – Up to 8 voices
  • Oscillators: OP-Xa V – 2 VCOs per voice plus noise, cross-modulation SEM V3 – 2 VCOs (saw, variable pulse) with hard sync, plus sub-oscillator
  • Filter: OP-Xa V – Modelled Oberheim 2- and 4-pole low-pass SEM V3 – 12 dB state-variable: low-pass, notch, high-pass, band-pass

Both are the same on synth type (Analogue modelling) and plugin formats (VST2, VST3, AU, AAX).